Whether you’re looking to add a touch of vintage flair to your designs or need an antique or classic feel for your project, vintage fonts are a great choice. Vintage fonts can be used for a variety of purposes. Happy designing! What is the use of Vintage Fonts? So what are you waiting for? Start choosing the perfect font for your next project! And if you need more inspiration, be sure to check out our collection of free fonts. We’ve collected the best vintage fonts to take your designs back in time. The best part about vintage fonts is that they’re free to download and use! So if you’re looking to add a touch of vintage flair to your next project, look no further than this blog post. Vintage fonts are perfect for designs that require an antique or classic feel. With its elegant serifs and classic style, this font will give your design the sophistication it deserves.įAQs (Frequently Asked Questions) What are Vintage Fonts? If you’re looking for a vintage font that will add a touch of class to your project, the S&S Nickson Vintage Font Family is a perfect choice. Finally, this font works best in classic or traditional design. Second, the family includes both regular and bold weights, so use the appropriate one for your project. First, it may be best used for larger text sizes because it is a serif font. There are a few things to remember when using the S&S Nickson Vintage Font Family. Any design that needs a touch of sophistication!.Projects that would benefit from the S&S Nickson Vintage Font Family include: Whether creating a website, a flyer, or even a document, the S&S Nickson Vintage Font Family is a great choice. With its elegant serifs and classic style, this font will add a touch of sophistication to any design. Carter was asked to produce two, a serif and sans serif.The best vintage font around, the S&S Nickson Vintage Font Family is perfect for any project that needs a touch of class. Concerned that none of the existing digital fonts were easily readable, Microsoft commissioned a collection of screen-friendly typefaces to be given away free with its Windows software. The rest of us became savvier about type, often unconsciously, as we learned how to pick our favorites from the list of fonts on our computers.īy the mid-1990s, as more and more people were using Internet and e-mail, we were spending so long reading information on screen that legibility became a critical issue.

As design software became more sophisticated, it was so easy for graphic designers to create digital fonts that the market was flooded with new ones. Carter, by then an acclaimed designer of print typefaces - including Bell Centennial, which is used in United States telephone directories - co-founded Bitstream, one of the first companies to develop type for use on screen. Even supposedly modern fonts dated back decades, like Times New Roman of 1931 and the popular sans serif typeface (that's one without squiggles), Helvetica of 1951.Īll this changed in the 1980s when computers became cheaper, and desktop publishing exploded. Many of the most commonly used ones were centuries-old, such as Bodoni and Baskerville, both designed in the 1700s.

The development process was so time-consuming that new typefaces were relatively rare. This was how Carter, now 68, trained in the 1950s when he gave up a place at Oxford University for an internship at a traditional Dutch type foundry. Georgia's growing popularity is partly the product of typographic fashion, but also reflects deeper changes in our relationship with the screen as our primary source of information.īefore the digital era, typography was an obscure, though highly skilled craft in which letter shapes were literally carved out of metal. Instead it is one of the serif fonts with decorative squiggles at the ends of the characters that we are accustomed to seeing in print. Whatever its age, Georgia is an elegant, quietly idiosyncratic typeface, which is a pleasure to read on screen, even though it is not designed in the minimalist style of lettering that we associate with the Internet. 'It seems a bit young to have died and been revived already.' 'A few designers have mentioned that there seems to be a 'Georgia revival' going on,' says Matthew Carter, the British-born, Boston-based designer who developed Georgia for Microsoft in 1996. Typefaces slip in and out of fashion like every other area of design, but right now Georgia is the most fashionable one on the Internet. Just as you'll spot it on the Web sites of London's Frieze Art Fair, the architecture magazine Metropolis, the artist Damien Hirst, and on blog, after blog, after blog.Īll of these Web sites use the same typeface - Georgia. LONDON - Log on to The New York Times's Web site, and you'll see it there.

Most popular old style typeface